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Rendez-Vous with French Cinema 2001
Part 1: The Film Society at Lincoln Center goes Gallic

Isabelle Huppert and her charges in Saint-Cyr: The King's Daughters

Every spring for the last six years, the Film Society of Lincoln Center presents a selection of new French movies at the Walter Reade Theater in New York. Many films shown here in the past have enjoyed their U.S. premieres before finding success in domestic theatrical distribution, including A Single Girl, Seventh Heaven, Ponette, Those Who Love Me Can Take the Train, and La Buche.

This year's festival, which runs from March 9 through 18, includes new films by Benoit Jacquot, Jean Becker, Chantal Akerman, Arnaud Desplechin, Jean-Pierre Denis, Jeanne Labrune, Xavier Beauvois, Robert Guediguian, as well as work by promising new directors.

If the few movies I've had the chance to see ahead of time are any indication, this festival will be a joy for film lovers - everything I saw was exciting, fresh, and smart.

 More of this Feature
• Part 2: The Complete Line-Up

 
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Un Crime Au Paradis (A Crime in Paradise)
I never knew Jacues Villeret's name, but I certainly recognize his bunched-up face: this man has graced many a French comedy (including the recent Dinner Game) with his exaspiration and quiet suffering. Un Crime is a small yet hilarious comedy about a farmer trying to off his wife, an alcoholic monster who is torturing him by slashing his tires and drilling holes in his milk pails. If you enjoy movies where people fall off ladders, sing dirty ditties, and attempt murder with mole poison, you'll love this. Un Crime Au Paradis is a surprising farce with excellent bit characters and a warm heart that's based on a seems slightly dated -- and I mean that in a good way.

Directed by Jean Becker. With Jacques Villeret, Josiane Balasko and André Dussolier.
Showing Sat March 10: 5:45 and Sun March 11: 3:15


Ça Ira Mieux Demain (Tomorrow is Another Day)

Another comedy that's so much smarter and wiser than any American comedy that it makes you wonder if Hollywood should try to let actual mature adults make a movie for a change. Ca Ira Mieux Demain starts with a delightful domino of events that follows an idea rather than a single character around Paris -- does wood breathe, and if so, what happens when you leave furniture covered with a plastic sheet? As we follow this meme travelling through people, we get to know a bunch of characters who, in the course of a week, keep on bumping into each other. Since this is a French movie, they mostly talk, about eating sauerkraut, Freud, and whether or not it's ok for a psychiatrist to make money on the side as a chiropractor.

The risk of taking such random delight in everyday matters is aimlessness. Ca Ira Mieux Demain is as pleasant as it is forgettable; if I hadn't taken notes, most of the movie's characters would have already escaped my memory. But just because it's not a high-concept film doesn't mean that it's not a perfectly wonderful way to spend two hours at the movies.

Directed by Jeanne Labrune. With Danielle Darrieux, Nathalie Baye, Jeanne Balibar, Jean-Pierre Darroussin.
Showing Wed March 14: 3:30 & 8:30, Sat March 17: 6:30


Saint-Cyr (The King's Daughters)
If you're like me, you recoil at the sight of people in historical costumes and powdered wigs. Too often, it means cultivated boredom. What a relief, then, that Saint-Cyr has enough gritty surprises and real heft to keep even the most thoroughly Merchant-Ivory damaged interested.

Saint-Cyr is the name of a school where the daughters of empoverished noblemen receive an education befitting their rank. The wonderful Isabelle Huppert plays the Sun King's wife, the sponsor and founder of the school. Once favoring a liberal education for her charges, she retreats into cloistered protection of their innocence when the predatory males of the king's court start to drool over the eligible girls. Saint-Cyr is a bitter contemplation on the booby traps of charity and the dangers of protecting one's children from a vicious world -- especially when there are 250 of them. As you might expect, Saint-Cyr turns rather dark. The film won 8 Cesar nominations and the "Prix de la jeunesse" at Cannes. Apart from Isabelle Huppert, Nina Meurisse and Morgane Moré are enthralling as her brightest and most vulnerable students.

Directed by Patricia Mazuy. With Isabelle Huppert, Jean-Pierre Kalfon, Simon Reggiani, Nina Meurisse,Morgane Moré.
Showing Tue March 13: 3:45 & 8:30

Next page > The Complete Line-Up > Page 2

 

 

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