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Enough is Enough
Part 1: Sixteen Screens and Nothing But Trash

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• Part 1: Sixteen Screens and Nothing but Trash
• Part 2: Calculated Mass Lobotomy

 
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OK. Call me snotty, call me elitist, but I gotta blow off some steam. I just had the bad fortune of having to spend Saturday night at a suburban multiplex, and it's enough to make a grown man cry. So please, bear with me.

Here's what happened: I am staying with my in-laws in New Jersey. There are other house guests, they take control of the DVD player, and suddenly, there's nothing to do but head out to the mall cineplex.

Oh my God.

The simple fact is: there isn't a single film playing at those theaters that an intelligent adult human who isn't addicted to sniffing glue can watch without feeling insulted.

Check out our choices last night: Schwarzenegger's 6th Day, some B-picture with an A budget called Red Planet, tits, ass, and explosions in Charlie's Angels, the goody-goody Pay It Forward, and Adam Sandler in Little Nicky. And each one of these is playing on two or three screens at the same time. Oh, and Rugrats in Paris. I rest my case.

Of course, none of this is news to the smart and discerning folks who read this page. (You see, I bet you're also susceptible to flattery.) I guess many of you in the so-called heartland bear the same fate day in, day out, but man, when you're faced with the choice of throwing away nine bucks on garbage just to get out of the house for a few hours, you ask yourself what went wrong. I mean, come on: this is the medium of Chaplin, of Fellini, Hitchcock, Bergman, Kubrick, Godard, Kurosawa, Herzog. Movies can be magic in motion -- and we're reduced to a choice of awesome 'splosions, cheap emotions, and fart jokes?

Lame-Brained "Event Movies"
In his book Easy Riders, Raging Bulls, Peter Biskind blames the bloated dreck that plays for entertainment these days on George Lucas and Steven Spielberg. They showed the studios just how much money could be made from lame-brained "event movies" that open on thousands of screens simultaneuously. Before The Godfather, films opened slowly, building a reputation and gaining momentum. Now, it's first weekend or nothing -- which doesn't lend itself to risk-taking, and that's why we get more and more formula movies, sequels, and remakes of old TV shows.

Lucas doesn't feel responsible: "Why do people go see these popcorn pictures when they're not good? Why is the public so stupid? That's not my fault." In other words, he's blaming you and me.

I think it's time to draw the consequences.

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