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Star Wars: Episode III Revenge of the Sith - Review

"I Have a Bad Feeling About This"

From Jürgen Fauth, for About.com

star wars revenge of the sith

The Wookiees prepare for battle

In Easy Riders, Raging Bulls, Peter Biskind argues that the original "Star Wars" single-handedly ruined the auteur-driven American cinema of the 70s and catapulted us into the blockbuster age. While this theory is widely accepted, it conveniently overlooks that the hypercommercialization of Hollywood was inevitable. Sooner or later, somebody was bound to strike the motherlode of megabucks, and the suits were going to start mining the riches. But if making a film like "Star Wars" was so easy, we wouldn't be looking back on decades of lousy, overblown wanna-be "Star Wars" wrecks. Don't hold it against Lucas that "Star Wars" happened to make buckets of money: some things are popular for good reason.

A relentless technical innovator and a visionary with a taste for obscure art films, George Lucas is arguably the world's most successful independent filmmaker. If his interest in "Star Wars" had been purely commercial, it would have been easy to milk the franchise by churning out cookie-cutter sequels. Instead, he stuck to his ambitious scheme which culminates in "Revenge of the Sith," the saga's darkest chapter. The film is guaranteed to make mad box office, but how much more could it have earned if Anakin triumphed?

Lucas' epic scheme is one of the things that make "Star Wars" unique. No other movie series I know of weaves a single plot over six films. In "Star Wars," everything has a story arc: the heroes, the villains, the robots, even the spaceship designs. Lines of dialogue are echoed and repeated, little hints gain meaning, and each viewing reveals new connections between the films. The tightness of the structure is one of the saga's main pleasures. It's a universe that can be inhabited fully, made cohesive by a web of cross-references at once sprawling and tightly woven.

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