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Martin Scorcese Filmography
For the dates, names, titles, supporting players of every Scorsese film, trust the IMDb.
After Hours (1985)
I love this Kafkesque screwball comedy about a hapless guy trapped in SoHo. So does Roger Ebert.
Alice Doesn't Live Here Anymore (1974)
Scorsese's attempt at a "women's film." Starring the wonderful Ellen Burstyn.
Box Car Bertha (1972)
This early low budget film starred Barbara Hershey and David Carradine.
Bringing Out the Dead (1999)
New York has never looked so unappealing: Nicholas Cage as paramedic among the filth and mental desolation of Hell's Kitchen.
Cape Fear (1991)
This is an excellent page (essays, interviews, commentary and more) about a film that I truly loathed. You wanna watch Robert DeNiro bite the cheek off a woman, be my guest.
Casino (1995)
Mobsters, greed, and excess. The rise and decline of mob rule in Las Vegas.
Goodfellas (1991)
Next to "The Godfather," this mobster classic counts as one of the best gangster films ever. Starring Robert DeNiro, of course.
King of Comedy (1983)
"A Scorsese oddity that's more than welcome," says reviewer Jack Sommersby. Starring Jerry Lewis and, you guess it, Robert DeNiro.
Kundun (1997)
A fan page about Scorcese's cinematic meditation on the formative years of the exiled Dalai Lama. There's a quiz!
Mean Streets (1973)
Scorsese's first acknowledged masterpiece.
Raging Bull (1980)
A terrific fan site about perhaps the greatest movie of the 1980s about boxer Jake LaMotta.
Taxi Driver (1976)
A fan page dedicated to Martin Scorsese's 1976 classic film. For the record, Travis Bickle scares me.
Taxi Driver: Memorable Moments
Filmsite.org offers lines, quotes, and memorable moments from "Taxi Driver."
The Age of Innocence (1993)
Without a doubt, this film was a dramatic change of pace. Based on the novel by Edith Wharton.
The Color of Money (1986)
Scorsese's first true box-office hit starring Paul Newman as pool shark Fast Eddie Felson.
The Last Temptation of Christ (1988)
Martin Scorsese's provocative, punishing, weirdly brilliant adaptation of Nikos Kazantzakis' novel. A rave review from "The Washington Post."

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